Class Of '83 Movie Review: Bobby Deol Springs A Surprise But Netflix Film Is A Mixed Bag
Class Of '83 Movie Review: Despite Bobby Deol's unfussy impersonation of a stolid, righteous policeman, the film is more tattle than tension, more acrimony than action.
A cops-and-gangsters thriller produced by Red Chillies Entertainment with a brooding Bobby Deol in the lead, Class of '83 is a mixed bag. The film swings between two extremes - the studied cynicism of seasoned men in uniform and the feigned insouciance of cadets trying to fit in. At both ends are sweeping cliches.
The solemnity of the seniors lends some strength to the Netflix film but the inconstancy of the rookies dilutes the drama on the mean streets and off the coast of a mid-1980s Mumbai. It is a veritable crowd out there. Five novices are thrown in at the deep end. Neither the characters nor the fresh-faced actors playing them find a way out. The palpably worn-out devices at the disposal of director Atul Sabharwal (Aurangzeb) are of no help.
Loosely based on S. Hussain Zaidi's book, The Class of '83: The Punishers Of Mumbai Police, the film is about a defanged officer who, on a punishment posting to a police training academy, grooms five laggards in the academy's first batch for an all-out war on the Mumbai underworld.
Like innumerable Bollywood films of the past - from Satya and Vaastav to Once Upon a Time In Mumbaai and Bombay Velvet - Class of '83 is an admixture of a history of the Mumbai underworld, an overview of the criminal-politician-builder nexus, a peep into the collapse and repercussions of the city's cotton mills, and a lowdown on the genesis of fake encounters.
The bookish screenplay by Shootout at Wadala co-writer Abhijeet Deshpande lacks the sinews that could yield the kind of sturdy police drama in which the tough cops are up against bad guys who are worth the hullabaloo. In Class of '83, the gangsters are rolled over rather easily.
The story is inspired by true events. Bombay, a metropolis in flux, sits on "a pile of gunpowder", a matchstick strike away from exploding. But the treatment of the volatile times is strangely bland. The film is more tattle than tension, more acrimony than action.
The set-up is drearily familiar, but Bobby Deol springs a surprise with his unfussy impersonation of a stolid, righteous policeman who runs afoul of his corrupt political boss (Annup Sonii, sure-footed all right but without much to do).
The debutants cast as the Nashik Police Training Centre cadets that Dean Vijay Singh tutors before letting them loose are all promising performers. The script gives them limited elbow room. They are left jostling for space.
The technicians are, however, on top of their game. The tight edit (Nitin Baid and Manas Mittal) makes Class of '83 a compact 98-minute film. Cinematographer Mario Poljac's fluid camerawork and layered lighting serve to create evocative, mood-enhancing atmospherics. And the sophisticated background score by Viju Shah complements is classily subdued and effective.
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